JAM 2014: Call for Papers

Journeys Across Media

Memory and Imagination

25th April 2014

2014 will mark the 12th anniversary of the annual Journeys Across Media (JAM) conference for postgraduate researchers, organised by postgraduates working in the Department of Film, Theatre & Television at the University of Reading.

JAM 2014 seeks to foster emerging scholarship that investigates interactions and relationships between memory and media.

In her posthumously published book The Life of the Mind (1978), German-American political philosopher Hannah Arendt wrote:

Mnemosyne, Memory, is the mother of the Muses, and remembrance, the most frequent and also the most basic thinking experience, has to do with things that are absent, that have disappeared from my senses. Yet the absent that is summoned up and made present to my mind – a person, an event, a monument – cannot appear in the way it appeared to my senses, as though remembrance were a kind of witchcraft. In order to appear to my mind only, it must first be de-sensed, and the capacity to transform sense-objects into images is called “imagination.” ’

With this year’s conference, we would like to open a dialogue about the relationship between memory and imagination, particularly as expressed within contemporary scholarship and practices. Our initial questions include: how has an inner psychological process been positioned empirically and ideologically – both in mainstream iterations, social media contexts and in performance contexts? How does the relation between memory and imagination connect and diverge in interdisciplinary approaches? How have different forms of media affected the ways in which we understand memory as personal, cultural, traumatic and constructed?

Topics may include, but are not restricted to:

Archive and Imprint

The technique of flashback

Locational memory: Abandoned spaces and remembered places

The evolution of attitudes and technical approaches to representation of personal and social memory in film, theatre and television

Post-colonial memory in the contemporary moment

Recollective memory and war

Memory and suffering: the ethics of representing trauma

Remembrance and cultural identity

Remembering lines: memory and the performer

Lost and found: ‘re’-remembered texts and practices (for example the BBC lost archives)

Memory and data: the impact of digital media

Memory loss and dementia: Therapeutic practices in film, theatre and television

We warmly invite submissions from PhD and MA/MPhil scholars conducting research in these areas and seek to provide a broad, cross-medial discussion forum. Previous delegates have welcomed the opportunity to gain experience of presenting and developing their work, and to establish contacts with fellow postgraduate researchers and academic staff.

Please submit a 250-word abstract for a fifteen-minute paperand a 50-word biographical note by email to the JAM 2014 team (Niamh Bowe, Sonya Chenery, Tamara Courage and Dominic Lees) at jam@pgr.reading.ac.uk.

We welcome proposals for practice-as-research presentations/performances/screenings; these must conform to the 15-minute format, and should be suitable for viewing by a seated audience, within the panel format. Please include details of technical requirements. As above, please send a 50-word biographical note with your proposal.

Deadline for abstracts: 17th February 2014

 Presenters who are not able to deliver their papers live are offered the option of presenting digitally, either via Skype or digitally recorded presentation. Non-presenting delegates are also strongly encouraged to attend.

JAM has an on-going collaboration with the Journal of Media Practice. Participants of both JAM 2012 and JAM 2013 have had their papers published by the journal. Please see Journal of Media Practice 13:3, the most recent publication incorporating postgraduate papers originally delivered at JAM.

In order to cover the cost of holding the conference, it will necessary for us to charge a fee of £25 per delegate (including presenting delegates). A limited number of bursaries to cover this cost may be available. 

JAM Schedule 2013

Journeys Across Media 2013

The Body and The Digital

Friday 19th April 2013

Schedule

9:00-9:30              Registration/Tea and Coffee 

9.30-10:00             Welcome from Dr John Gibbs, Head of Film, Theatre & Television. Followed by announcements from the JAM Committee. Venue: Bulmershe Theatre 

10:00-11:00           Keynote Provocations: Dr Lisa Purse, Dr Louise Jolly, Dr Andy Lavender and Dr Brian Lobel. Venue: Bulmershe Theatre 

11:00-11:15           Tea and Coffee Break           

11:15-12:45           Panel 1A: Writing Through Digital and Collaborative Practices  

(Chair: Shelly Quirk) Venue: The Cinema. 

Jennnifer Jarman: The Amputee at the Keyboard – Digital Text as Prosthesis.

Johnmichael Rossi: Collabo-writing in Digital: Writing As A Major Point of Intersection between the Body and the Digital.

Claire Swyzen: Textimonies’ in Documentary Theatre: From Authentic ‘Character’ to Post-Human ‘Data Body’.

Daniel Paul O’Brien: The Digital Body and Narrative.

Nese Ceren Tosun: Delegating tasks, submitting to tastes: Skype enabled cooking event The Virtual Chef.

11:15-12:45           Panel 1B: Moving the Body Through Digital and Collaborative Practices

(Chair: Matthew McFrederick) Venue: Bob Kayley Theatre. 

Caitriona Mary Reilly: The Postfeminist Female Body: The Fetishisation and Technological Rejection of Motherhood in Contemporary Performance.

Edina Husanovic: Ultra Gypsy: Post-identiterian Subjects on the Trail of Dis-Orient Express.

Ae Jin Han: The Dancing Bodies on K-pop Music Video.

Kerry Francksen: Exchanges between the lived, performed and mediatised in live-digital dance performance.

Suparna Banerjee: Touch-me-(or)-not? The digital double in the contemporary Bharatanatyam choreo-culture. 

12:45-13:45           Lunch

13:45-15:45           Panel 2: Practising Digital/ Practising Body

(Chair: Edina Husanovic) Venues: Studio, Bulmershe and Bob Kayley Theatres. Practical Presentations and Discussion.

1:45-2:05     Rachel Cherry & Hannah Birch: The Choreography of Photography.

2:10-2:30     Kerry Francksen: Dancing in live and digital domains: A practical study.

2:35-2:55     James Steventon and Jason Singh: A Song For Eurydice.

2:55-3:45     Q&A Talkback Panel including presenters of on-going work

15:45-17:15           Panel 3A: Reframing the Body in Digital Society

(Chair: Johnmichael Rossi) Venue: The Cinema.

Zi Young Kang: Reproduction of Fashion in History Using 3D CAD

Gareth Lewis & Kourosh Newman-Zand: A study into digital embodiment on branded platforms.

Irida Ntalla: Encountering issues of climate change through embodiment and affect in immersive installations.

Sy Taffel: Invisible Bodies: Labour, Toxicity, Materiality and Digital Have-Nots.

15:45-17:15           Panel 3B: Viewing the Body Through a Digital Lens

(Chair: Gary Cassidy) Venue: Bob Kayley Theatre.

Garfield Benjamin: Gaze, Expression and Extension in the Hyper-Body of the objet a-vatar.

Pedro Cardoso and Miguel Carvalhais: Transcoding Action: A perspective on the articulation between the player’s and system’s actions in video games.

Klaudia Rachubińska: Long live the new flesh! The limits of the body in the work of David Cronenberg.

Paul Johnson: Totally Digitising Arnold.

Sam Christie: Thoughts on becoming the camera; media technologies and being in the world.

17:15-17:30           Tea and Coffee Break            

17:30-18:30           Keynote Responses and Closing Q&A (Chair: Dr Teresa Murjas) Venue: Bulmershe Theatre 

18:30-19:30           Wine Reception

Ongoing Performances and Art Installations throughout the day in the Foyer and TV Studio: 

Garfield Benjamin: Hyper-Bodies of the objet a-vatar

Michelle Lewis-King: Pulse Project

John Collingswood: TaikaBox: Duet for Three

Melanie Moller: Visual Space